

BOOK YOUR SESSION

LET’S MAKE THIS EASY
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UPLOAD
Please complete the enquiry form with all your project details, check that the pricing is within budget, and upload the files for your music.
CHECKS
Your files will be reviewed to ensure everything is ready for your session; please do the same before sending them.
I’ll contact you if I notice anything that needs clarification before scheduling the project.
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SCHEDULE
Your project will be added to the first available slot, and a delivery date will be provided. If you have a deadline, please get in touch.
With a little notice, I can make deadlines work 99% of the time!
Note: All sessions are unattended.
INVOICE
An invoice for payment will be provided, which can be paid upfront or upon approval. A deposit may be required for larger projects.
Note: A 5% fee applies when paying through Stripe (including PayPal).
A fee-free bank transfer is available upon request and is advisable for larger projects and those with label funding.
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DELIVERY
On or before the delivery date provided, you’ll receive a download link to the master files for your music. Additionally, you will receive a dedicated lossless player for auditioning and sharing on the go.
APPROVAL
You can take as much time as necessary to review and listen to your music to ensure that everything is perfect before approval.
Once approved, your session and files will be archived for one year.
Kindly settle any outstanding invoices upon approval.
You can request an unlimited amount of revisions (within reason). Swapping files after mastering may incur a fee of up to 100% of the original quote. Please check everything before sending.
WHICH SERVICE DO YOU NEED?
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When you love your mix, it needs a second pair of trusted ears from an engineer whose experience will ensure your music gets precisely what it needs to connect with your listeners.
I’ll highlight the best aspects of your music, perform a thorough quality check, and provide everything you need to feel completely confident about your release.
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When your mix is nearly perfect but still has a few problem areas that could benefit from fine-tuning.
Separating into grouped STEMS provides extra control that can make the difference between good and great-sounding music.
STEMS are often utilised to help with:
Overall tonal balance & masking.
Low frequency control.
Vocal placement and restoration.
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If your focus is on being creative and excelling in production, knowing that the final crucial stages are in good hands is a lifesaver and a time saver!
This approach is most suitable for electronic-based music, where effects are frequently integrated, and bus processing is essential to the sound.
Separating the mixing and mastering stages is usually beneficial for more traditional mixing on complex projects that involve extensive live recordings and have the budget for large engineering teams.
If you need a dedicated Mixing Engineer, I’d be delighted to recommend one of my collaborators.

Please contact me for questions about larger and bespoke projects or those requiring CD (DDP) or Vinyl Sides.
Email: nicky@nickyhoward.co.uk
If you need a quick answer.
Call: (+44) 7926381982
Message: WhatsApp